An archive of things that I have seen and felt and often thought about.
Wednesday, March 31, 2010
I enjoy listening to the conversations of others.
Tuesday, March 30, 2010
Answers to Questions from The Research Club
What does it really take to teach art, creativity and critical thinking?
In my little experience of teaching art, I have learned that it is important to go to the place first, find what the people in the place need and want, and then facilitate that course according to the need. The need might be that kids make a picture for their friend, or build their self-esteem by making objects, the need might also be a survival course for backpacking in the wild, or building a chicken coop- the possibilities are endless, but it is up to the teacher to help direct it.
In regards to Public Social University, we’ve found that doing events on different themes has been successful. I believe that the reason is because there is a desire to learn in our community. What we try to do with Public Social University, to me, is much like composing a musical piece, which brings a person from one realm of thought and possibility to the next. I enjoy organizing Public Social University events to start with addressing the theme or issue, to explore the issue, and to leave people with the tools to do something about it, in a hopeful way.
Are university courses worth the investment made by students, and what effect do they have on the greater world of art?
The arts will advance whether or not there are students taking art classes, and many art communities will exist whether or not an art school exists. I am not even sure what “advancing the arts” means. I personally think that they are always evolving.
Perhaps if we were to “advance the arts” in Portland, we as individuals should explore human life experiences, world knowledge, and of course I believe that being involved in free education and a stronger community network can help. There is a lot of bureaucracy in the art world. I would love to see that lesson a little. I once decided that I wanted to lead my social practice class in making a really long hopscotch, my intention at first was to build the hopscotch right in front of the art museum. Someone from the group was interning at the museum, and expressed that he did not want to build the hopscotch there because it might upset someone. Making public, socially engaged art should challenge the higher-ups in the art world, art is what you make of it, we should not put boundaries on ourselves to create. I have been thinking a lot lately about how it’s ok if something that I do upsets someone, that is the nature of controversy, and that is what often works to get your point across.
Saturday, February 13, 2010
To Live In Love
I recently met with a friend, artist Ashley Neese, for tea. She talked about her work as a social artist and mentioned that she believes in love and that all of her projects are centered on the idea of love. When Rozzell Medina and I first started to know each other he gave me a book titled Love, by Leo Buscalgia. The book explores what love is within its 150 pages. It talks about being vulnerable, practicing non-judgment and being wholly human, forgiving and imperfect.
It is true for me, that if we live in love and express ourselves not out of fear or judgment- we can meet with amazing people, we can do amazing things with our time.
As a community organizer, I attend a lot of meetings. I meet with a lot of truly giving; inspiring and insightful people who are creating change in Portland. I am nervous when I call people, and I psych myself out sometimes when I leave the house to meet with folks with whom I admire. I am also nervous and shy when I speak publicly.
It helps me to work through the anxiety by living life compassionately and openly to the future. Money can happen, jobs and opportunities will present themselves; everything will flow and happen if we allow it space, time and energy.
I am organizing an event with Public Social University called, HOUSING part 1: Approaching Space and Place. While organizing, I have been doing a lot of thought about vacant land and buildings. I noticed that while buildings remain dark and unused, there are displaced people sleeping in ally ways nearby. I noticed a similar occurrence with food. I went dumpster diving and found bags and bags of perfectly good food, while there are many who are hungry in the world.
Then, I consider to myself, "I wonder what the world would be like if we consciously lived through love."
What could we accomplish in our life times?